Why does one style of music reach into your soul while another elicits a tepid meh? I was in the seventh grade when the Beatles became popular in the US. Though I was very musical and sang in church all the time, I did not like their music. Five years later, when Hey Jude came out, I was a disc jockey at a radio station in Eastern Kentucky. I played Hey Jude all the time. I played it for the same reason I played Richard Harris’s rendition of Jimmy Webb’s MacArthur Park. At 7:12 and 7:21, they were the two longest singles we had in our stack of 45s at the station.
If I worked weekdays I had a four hour shift. It was six hours on the weekend. Back in the day, the only time you had to go to the bathroom was when a record was playing. We did have news at the top and bottom of the hour, but I was the one reading the news, so there was not even a break then. If I needed to go to the bathroom for anything other than a very brief outing, it was either Hey Jude or MacArthur Park.
Even though it was nine seconds shorter, I played Hey Jude more often. Why? Because I did not like the song, so it didn’t bother me if I heard it on the tinny lobby speakers instead of the professional speakers in the control room. I loved MacArthur Park, and still do. You can find my favorite version of it on YouTube. It’s on David Letterman with Will Lee, Jimmy Webb and a full orchestra. That one was 5:45 long.
The music of the Beatles did nothing for me. It still doesn’t. I do like all of Jimmy Webb’s tunes, particular MacArthur Park and the tunes he wrote for Glen Campbell. But none of those hold a candle to my favorite music of all time, Southern Gospel and 1970s Contemporary Christian music. Think the Oak Ridge Boys before they became country and ruined their sound, or the Imperials, who were in the stratosphere from 1967-1976. After that my loyalty went to Andrus, Blackwood, and Company, and then to the Gaither Vocal Band, particularly the 2009 to 2013 version when they had their best group ever. If you are a fan of the Gaither Vocal Band, you know who was in the group during those years. Nowadays I still like the Gaithers. I also enjoy the harmony of the Isaacs. Sibling harmony is something special.
Back in the 60s and 70s, the Rock and Roll groups I liked the most were the Association, the Fifth Dimension, Chicago, the Eagles, and the Carpenters. As Country music evolved I began to enjoy groups like the Gatlin Brothers and Alabama. In Bluegrass I preferred the Country Gentlemen and Allison Krauss and Union Station, especially when Dan Tyminski was in the group.
If you are of a certain age with a certain kind of musical ear, you recognize that all of these groups, regardless of genre, were all about very tight three and four part harmonies. I see no reason for two part harmony to exist on God’s green earth. Harmony must include at least three parts, always and without exception. I mean, the Trinity is God, Jesus, and the Holy Spirit, right? It’s not just Jesus and the Spirit, so there should be no such thing as two part harmony. I’m sure you can follow my logic.
If you know much about me, by now you realize I have quite a dilemma. Almost all of those groups came out of the evangelical world, or in the case of Country and Bluegrass music, are intricately intertwined with the evangelical world. None of those groups or the religious communities from which they come, would be the tiniest bit welcoming to me.
In addition to their rejection of LGBTQ+ folks, most Nashville-inspired Christian music has absolutely terrible lyrics, like the song that talks about Elisha raising a boy from the dead, and then singing that God doesn’t ever change, and if you’ll have the faith of that boy’s mother, God will send you a miracle too. What makes those lyrics even worse is that I heard them sung at a 9/11 tribute concert in Carnegie Hall a few months after the terrorist attack, when no matter how hard people prayed, there would be no miracles for anybody.
So what am I to do? I love the sound of the music, but I cannot stomach the theology, and if people realized who I was, would likely be kicked out of a concert I tried to attend. With TED Talks out there with over 10 million views, that is always a possibility. I was constantly looking around and waiting to be tapped on the shoulder when I went to a Ernie Haase and Signature Sound concert at a Baptist church in Georgia a couple of years ago. I was with my good friends Ray and Jane. They would have protected me.
I had my own vocal band for six years back in the 70s. We made five albums. I put together a band with four couples in the 80s and early 90s. Everything was about tight harmony. But alas, as far as I can discern, there is no place in today’s world for a harmony-hearing, baritone-singing transgender woman who knows how to create a tight blend. There’s just no market for us.
Speaking of Ray, you know, the one who would have protected me in that Baptist church, I did not mention that he is a great Southern Gospel bass singer. This past summer Ray and three professional musicians from Nashville sang in tight four-part harmony for about 45 minutes at the Wild Goose Festival. I spoke a total of seven times for over eight hours at this year’s festival, but as much as I enjoyed all of those talks, none of them compare to that 45 minutes of music. As I wrote before, a couple of friends said they enjoyed watching me watch the concert as much as they enjoyed the concert.
Music engages every part of us. We learn to play or sing a piece with our left brain. We perform it from the right brain. Whether Broadway, the West End, or concert halls and arenas all across the world, music has the power to unite and stir the soul.
Ray and his friends have designs on some ideas that, should they come to fruition, would redeem everything I have musically lost. Just thinking about how three gay tenors and a cis straight gay-affirming pastor might heal countless souls through the music we all love and cherish, well now, that stirs my soul. The evangelical world may have cast us out, but musical redemption is drawing nigh.









